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I hate giving them money, but I think you may need to expose the scam by participating. When I saw that price point, I knew I had to try it. Yes, it took a few weeks for these AI coverage places to undercut each other to the point of costing as much as a large oatmilk latte at Alfred Coffee.
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What I thought was hilarious was that the service was offering coverage for $10. I would assume there's a lawsuit to be had somewhere in there, especially by some of the more litigious studios. Upon glancing at the website, I thought it had some real big issues! First off, they have a vault of copyrighted screenplays, and it appears as if they ran through their language model to determine what is a good and what is a bad screenplay-but I have no proof of that, just wondering! This morning, a really lovely NFS reader reached out to me and wanted my opinion on a program called ScriptReader.AI, which charges $10 for a complete screenplay breakdown, comparable to Greenlight Coverage, which we did a write-up on. killing machine in last year's Child's Play.
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We've seen some of our favorite films, like Psycho, Total Recall, and Oldboy, go through the strange process of getting made over for modern audiences, complete with modernized references, new paint, and updated technology-like Chucky going from a classic murderous pull-string doll to a high-tech A.I. It took them eight years to make, but finally, Toy Story 3 IRL is here and it is glorious. Well, two brothers, Morgan and Mason McGrew, set out to recreate it, and we're talking a shot-for-shot remake here, people-a full-length feature film that employs stop-motion animation and the film's original audio to bring actual Toy Story toys to life. You know the third iteration of Pixar's Toy Story franchise-the one where Woody and the gang are taken to a daycare facility where Buzz speaks Spanish, Lotso turns out to be a psycho, and all of Andy's toys accept death as they descend into an incinerator? (Which always makes me cry like a baby.) This, to me, is a life lesson worth remembering, to infinity and beyond.Even if you're not a huge fan of film remakes, something tells me you're going to dig this. Wasn't it conventional wisdom that just the kids get emotional over losing plastic playthings? With "Toy Story 3", Pixar has shown us one of the greatest magic tricks in modern showbiz history, likely not to be outdone or duplicated, that we all have very real and deep connections to our childhoods and to the things and people that allowed us as kids to be free, and innocent, and pure, and most importantly, to dream. It became clearly obvious that the figurative tables have been turned, because a good number of the adults in the audience (including myself) were sniffling and teary-eyed, while the kids were looking up, likely thinking "jeez mom and dad, they're just toys, get over it". TS1's spark is TS2's candle, and that in turn is TS3's blazing sun. Clearly, in the eleven years between this point and when "Toy Story 2" wrapped, a computer revolution or four has occurred, allowing a world of unsurpassed clarity, reality and imagination to shine through like never before. We are then treated to some familiar Pixar progression, like abandonment, solidarity, coming back to friends, and the passing of the torch. "Toy Story 3" starts off as comfortably as possible, with our friends Woody and Buzz Lightyear doing what they do the aying with Andy in his world of make-believe adventure. And naturally, Pixar would be at the forefront, leading the cavalry charge of digital animation ranging from great to gawd-awful. And it was a hit, ensuring 3d animation a place right alongside (more or less) 2d animation. This was a pretty bold move, a calculated stroll to the edge of the cliff and a daring leap off into the thin air of creativity and innovation. I am a 28 year old male, who, fifteen years ago, was fresh into the teen years of supposed adolescence at the release of some weird, 3d animated movie (wait, they can animate with computers?) entitled "Toy Story". I feel it relevant somehow to divulge my age, as it somehow validates the powerful emotions evoked throughout the film. This philosophy is doubly applicable to Pixar's "Toy Story 3", the storyline-ending outro of the beloved Toy Story, uh, story. The best magic tricks in the world are ones that cannot be unraveled, reverse engineered or dissected to figure out exactly how they are pulled off.